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Navajo family living in ancient cliff dwellings, Canyon de Chelly



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  • Canyon walls and distant view of cliff-dwelling, Canyon de Chelly, Arizona

    Canyon walls and distant view of cliff-dwelling, Canyon de Chelly, Arizona

    Visual Materials

    View of a man riding a horse through a canyon.

    photCL 312

  • Cliff Ruin. Canyon de Chelly

    Cliff Ruin. Canyon de Chelly

    Visual Materials

    View of cliff dwelling ruins at Canyon de Chelly.

    photCL 313

  • Canyon de Chelly, Arizona. First Cliff Ruin encountered in the canyon

    Canyon de Chelly, Arizona. First Cliff Ruin encountered in the canyon

    Visual Materials

    Distant view of cliff dwelling ruins. A man on horseback can be seen at the base of the cliff.

    photCL 312

  • Image not available

    Arizona: Grand Canyon; Canyon de Chelly; cliff dwellings

    Visual Materials

    Photographs made by Adam Clark Vroman, ca. 1892-1909, spanning various subjects, primarily his bookstore in Pasadena, California, and scenes from his travels. Of particular significance is Vroman's handwritten journal of a trip to see the Snake Dance at Walpi, Arizona, in 1895, written sequentially on the back of 19 mounted photographs. Vroman's traveling companions were Horatio N. Rust, Mrs. Thaddeus (Leontine) Lowe, and Charles J. Crandall, who are shown, along with Vroman, at pueblos, and traveling with supplies and wagons. There are also views of the Grand Canyon and the Petrified Forest. The California images include scenery and travelers in the San Gabriel Mountains, Mount Wilson, Mount Lowe and the Alpine Tavern, and travelers having a picnic; details of missions; historic adobes of Monterey; Rancho Guajome Adobe in San Diego County; Yosemite and one view of Indians living in Yosemite Valley. Locations depicted in other parts of the United States are: Manitou, Colorado; Oregon, Illinois; Niagara Falls; Grant's Tomb; a bird's-eye-view of Santa Fe, New Mexico; and other miscellaneous views. Vroman travelled to Japan in 1903 and 1909, and eight prints in the collection show Japanese men and women in traditional dress, as well as details of architecture. Vroman appears in a few photographs. There are several portraits of Pueblo Indian men, some identified in Vroman's captions.

    photCL 86

  • The Santa Anita Ranch

    The Santa Anita Ranch

    Visual Materials

    A makeshift dwelling, part thatched straw, part wood and blankets, sits in a flat clearing on the Santa Anita Ranch owned by Elias Jackson "Lucky" Baldwin in San Gabriel (now chiefly in Arcadia, California). Another small dwelling sits amid trees to the left, and at the back of the clearing is a wood frame bell-tower.

    photCL 74 (581)

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    Cliff Ruins. Canyon de Chelly

    Visual Materials

    This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.

    photCL 313