Arroyo Terrace and Grand Avenue, Pasadena. approximately 1915

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  Orchards in the Arroyo Seco, Pasadena. approximately 1907?

  Visual Materials

  A slightly elevated view looking down into the Arroyo Seco. Parts of the arroyo have been fenced off, and the land closest to the camera has been turned into orchards.

  photCL 402 (00791)

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  Orchards in the Arroyo Seco, Pasadena. approximately 1907?

  Visual Materials

  A slightly elevated view looking down into the Arroyo Seco towards the Loma Vista Bridge. Parts of the arroyo have been fenced off, and the land closest to the camera has been turned into orchards.

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  Exterior view of Craftsman style house, 400 Arroyo Terrace, Pasadena. 1925

  Visual Materials

  Street view of a Craftsman style house at 400 Arroyo Terrace.

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  Vista Del Arroyo Hotel bungalow 246, 125 South Grand, Pasadena. 1941

  Visual Materials

  The sitting room of bungalow 246 in the Vista Del Arroyo Hotel at 125 South Grand. Wrapped Christmas presents are arranged on and around a small end table. A man and a woman are seated side by side, listening to the same telephone handset. The Colorado Street Bridge is visible through the large windows behind the couple.

  photCL 402 (36183A)

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  Bridge lesson at Mrs. Frank Carpenter's house, 424 Arroyo Terrace, Pasadena. 1926

  Visual Materials

  Four women seated around a card table in a backyard, with a man standing over them. An ms. note on the negative reads "Mr. Foster Bridge instructor at Mrs. Frank Carpenters. 424 Arroyo Terrace."

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• Image not available

  View of Arroyo Terrace and Grand Avenue, Pasadena

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402