Skip to content

OPEN TODAY: 10 A.M.–5 P.M.

Tickets

Visual Materials

Vista Del Arroyo Hotel bungalow 246, 125 South Grand, Pasadena. 1941



You might also be interested in

  • Bungalow at Vista Del Arroyo Hotel with bridge in background, 125 South Grand, Pasadena. 1924

    Bungalow at Vista Del Arroyo Hotel with bridge in background, 125 South Grand, Pasadena. 1924

    Visual Materials

    Exterior of bungalow at Vista Del Arroyo Hotel, 125 South Grand. Multilevel terraced house is built into the side of the hill. The Colorado Street Bridge is in the background on the left.

    photCL 402 (25760)

  • Vista Del Arroyo Hotel, 125 South Grand, and Colorado Street Bridge, Pasadena. 1928

    Vista Del Arroyo Hotel, 125 South Grand, and Colorado Street Bridge, Pasadena. 1928

    Visual Materials

    A walkway leads to a bungalow of the Vista Del Arroyo Hotel at 125 South Grand. The Colorado Street Bridge is in the background on the left.

    photCL 402 (30817)

  • Vista Del Arroyo Hotel, 125 South Grand, Pasadena. 1935

    Vista Del Arroyo Hotel, 125 South Grand, Pasadena. 1935

    Visual Materials

    View of the Vista Del Arroyo Hotel at 125 South Grand from under the Colorado Street Bridge. An unpaved path leads to a wooded area downhill from the hotel.

    photCL 402 (35233)

  • Image not available

    Pasadena. Vista Del Arroyo Hotel. 125 South Grand. Christmas in Bungalow 246, interior

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. Vista Del Arroyo Hotel. 125 South Grand. Bungalow 246, exterior with couple at entrance

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. Vista Del Arroyo Hotel. 125 South Grand. Bungalow 246, interior with couple at telephone

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402