Visual Materials
Historical Society of Southern California Collection - The Graveyard of Mission Dolores, San Francisco's Oldest Graveyard photograph album
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Historical Society of Southern California Collection - Tom Gowers' Yosemite Trip Photograph Album
Visual Materials
The album contains 30 photographs that depict Yosemite and San Francisco, California.
photCL 400 volume 7
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Historical Society of Southern California -- Charles Prudhomme Collection of Photographs
Visual Materials
The collection consists of 249 black-and white-photographs (some exist in duplicate), 235 negatives, and 1 blueprint, dating from the 1870s to 1933 (bulk 1923-1933), that are primarily related to the history of the Los Angeles and the Southern California region. The collection was compiled by Los Angeles historian Charles J. Prudhomme, and Prudhomme took the bulk of the photographs. The images mainly depict sites within Los Angeles and California, as well as people associated with the history of the Los Angeles region. Included are images of streets in Central Los Angeles including Olvera Street; Los Angeles parks and squares; adobes and homes in the Los Angeles area; and photographs of members of pioneer families associated with the history of Los Angeles and Southern California. These include Don Juan Bautista Alvarado, members of the Alvarado family, members of the Dominguez family, Senora Luisa Avila de Garfias, Don Juan de la Guerra, members of the Lugo family, Senorita Josephine Ocampo, Eugene R. Plummer and members of the Plummer family, Andrea Alvarado Rowland and Viola Rowland, members of the Sepulveda family, members of the Tapia family, Francisco Viejar, and Maria Ybarra de Lopez. Some images exist only in negative format; cards indicating this are interfiled within the collection of photographs. Negatives are housed in Box 3.
photCL 400 volume 4
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Historical Society of Southern California Collection - Henry Family photograph album
Visual Materials
The album, one of three depicting the Henry Family of Los Angeles, California, contains 403 snapshots, presumably compiled by Alexander Ellwood Henry (1890-1979) and primarily consisting of group portraits of the Henry family and unidentified individuals between 1907 and 1916. The photographs reflect trips and outings to a variety of locations in California (Santa Catalina Island, Pasadena, Venice, Los Angeles, Big Bear, Yosemite, San Francisco), as well as Niagara Falls, Canada, Europe, and Japan. There are many images of Henry and his friends as teenagers and young adults. Among the images are photographs of Henry's brother Thomas Cecil Henry (died 1910) as a student at Stanford around 1908-1910, the Henry home at 1400 S. Manhattan Place in Los Angeles, and individuals at the beach.
photCL 400 volume 9
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Historical Society of Southern California Collection of Photographs by Subject
Visual Materials
The collection consists of 3511 photographs, negatives, and ephemera in various formats, dating from the 1850s to 1982, that formed part of the Historical Society of Southern California Photo Archives. The collection was compiled from the gifts of various donors and covers a wide breath of subject matter. The images mainly depict Southern California, with the largest number representing the City of Los Angeles, and provide comprehensive information about many activities and events important to Southern California in the late 19th and early 20th century. The collection includes images of Los Angeles streets and city views; neighborhoods (including Olvera Street, the Plaza, and Chinatown); Los Angeles office buildings and blocks, municipal buildings and facilities (including city halls, court houses, federal buildings, and postal facilities); Los Angeles County communities (including Culver City; Beverly Hills; Watts; Compton; the Hollywood/Cahuenga area; Mt. Washington; Redondo Beach; Hermosa Beach; Venice Beach; Santa Monica; San Pedro; Wilmington; Long Beach; Burbank; Glendale and the San Fernando Valley; Pasadena and the San Gabriel Valley; Avalon and Santa Catalina Island); the San Gabriel and San Bernardino Mountains; San Diego, Orange, Riverside, San Bernardino, and San Francisco Counties; Los Angeles County homes, residential buildings, and gardens; Los Angeles parks; Los Angeles, Orange, and Riverside County schools, colleges and universities; Los Angeles County churches and synagogues; Los Angeles area country clubs; hotels and theaters in Los Angeles, Riverside, San Diego, San Bernardino Counties, and the city of San Francisco; and Los Angeles County department stores, newspaper buildings, storefronts, and restaurants. General subjects represented in the collection include industry and manufacturing (including iron and steelworks; brick and terracotta; clothing manufacture; and the motion picture industry); agriculture; mining and other extractive industries; infrastructure (including images depicting dams, roads, and photographs taken for Caltrans documenting the construction of the Pasadena Freeway, also known as the Arroyo Seco Historic Parkway); water and power (including photographs depicting the irrigation of the San Fernando Valley in the 1910s); transportation; sports and leisure activities (including images depicting the 1932 Olympics in Los Angeles); fairs and expositions (including trade and industrial fairs; the Panama Pacific Exposition; the California Pacific International Exposition; the Lewis and Clark Centennial Exposition; and the Alaska-Yukon-Pacific Exposition); fiestas and parades (including the Fiesta de Los Angeles, the Fiesta de las Flores, and the Pasadena Tournament of Roses), circuses and circus wagons; missions in California, the Southwest United States, and Mexico; and California adobes and ranchos. Miscellaneous images include national and state parks; the California Gold Rush and mining towns; the armed forces in California; native and indigenous culture; local flora, including trees; unidentified people; unidentified scenery; documents; maps; and a small group of ephemera pertaining to the Wilshire Boulevard Miracle Mile. The collection includes photographs produced by 140 identified photographic studios, photographers, and publishers including Blanchard; Cromwell and Westervelt; Frasher's Studio; Garden City Foto; Harold W. Grieve, T.E. Hecht; William Henry Hill; Keystone Photo Service; Luckhaus Studio; Charles F. Lummis; F.H. Maude; Harold Parker; Putnam Studios; F.H. Rogers; Julius Shulman; Spence Airplane Photos; Stagg; A. Sturtevant; Carleton E. Watkins; and "Dick" Whittington Studio. A complete list of known photographers is included in this finding aid. There are also photographs made by or for the companies they depict. These include American Trona Corporation; Douglas Aircraft; Estelle Mines Corporation; Metro-Goldwyn-Mayer; Paramount Pictures; Selznick International Pictures; Studebaker Corporation; Union Pacific Railroad; and United Artists. Stamps on the backs of some photographs identify images produced and compiled by the Federal Writers' Project of Southern California, Los Angeles, and the Federal Writers' Project of Northern California, San Francisco, in the late 1930s and early 1940s as part of the Works Progress Administration. These photographs are indexed in the Contents List, and include photographs by Viroque Baker, Horace Bristol, Burton Burt, Fred William Carter, Fred R. Dapprich, Luckhaus Studio, Julius Shulman, Art Streib, and others. Some of these photographs also bear the stamps of the Los Angeles Chamber of Commerce and the Los Angeles Board of Education. Some photographs exist in multiples. Many have identifying information on the verso such as a description, date, provenance or photographer information, a caption for an article or other type of publication, or information regarding use of the image in the Southern California Quarterly.
photCL 400 volume 1
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Historical Society of Southern California Collection - Historic Los Angeles photograph album
Visual Materials
The album is composed of 19 black-and-white photographs of historic sites in Los Angeles, California, in 1945 including La Golondrina Restaurant (formerly the Pelanconi Winery); the Avila Adobe; Olvera Street; the Plaza; the Lugo Adobe; Pico House; the Plaza Church (Nuestra Senora La Reyna de Los Angeles); the Abbot Block and the Merced Theater; the Amestoy Block; the Baker Block; the United States Post Office Terminal Annex; views from Fort Hill; the Plaza de la Justicia and the Hall of Records; Union Station; the tomb of Los Angeles pioneer Robert Carlisle; and the remains of the Protestant cemetery.
photCL 400 volume 18
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Historical Society of Southern California Collection -- Ana Bégué de Packman Collection of Photographs and Papers
Visual Materials
This collection contains 209 photographs and negatives related to Southern California history that were collected by Ana Bégué de Packman, a descendant of early Spanish-Mexican landowners in the region and the Secretary of the Historical Society of Southern California from the 1930s to 1950s. The collection dates from 1820 to 1955 (bulk 1930s) and includes photographs, as well as correspondence, maps, ephemera, and newspaper clippings related to Southern California ranchos, the Spanish-Mexican families who owned them, and Los Angeles during the late 1800s. The majority of the collection consists of portraits of rancho families and their descendants, as well as photographs of the town of San Juan Capistrano and its environs, including Mission San Juan Capistrano and the adobe houses surrounding the mission. The photographs include a variety of formats and sizes, and photographers include: Charles C. Pierce, Charles J. Prudhomme, Charles C. Puck, and Edward Vischer. The collection includes a small number of the California rancho families are pictured in both professional and amateur portraits, with a focus on the Dominguez, Machado, Sepulveda, and Yorba families. Other portraits include those of Los Angeles mayors and pioneers, such as Matthew Keller, Cameron Erskine Thom, and Elijah H. Workman. Photographs of Mission San Juan Capistrano show the mission complex in ruins, with views of the church, courtyard, bell tower, and outside workspaces. The interior of the restored Serra Chapel are also shown, with an emphasis on the altarpiece and its statuary. Other missions that are shown in the collection are Missions Santa Barbara, San Antonio de Padua, and San Gabriel Arcangel. Another emphasized portion of the collection concerns adobe houses, specifically ones that are or had been located in the western and southern parts of San Juan Capistrano. Among these adobes are the Blas Aguilar Adobe, Casa de Los Rios, the Burruel Adobe, the Manuel Garcia Adobe, and the Domingo Yorba Adobe. Other Southern California adobes that are also included are the Yorba-Slaughter Adobe, the Dana Adobe, and the Workman-Temple Homestead. Oversized photographs show La Iglesia de Nuestra Señora Reina de Los Angeles (Plaza Church) and the statue of Felipe de Neve in Los Angeles Plaza. Notable photographs include an interesting photograph of Plaza Church shows Don Antonio F. Coronel surveying the church exterior. Another photograph relating to the Los Angeles area is one of the Beverly Hills Centennial Parade with Eugene W. Biscailuz, Leo Carrillo, and William Boyd on horseback. Of particular interest are two tintypes related to photographer Charles J. Prudhomme. The first is of his mother, Maria Merced Tapia de Prudhomme, and the other is of Prudhomme's daughter. The rest of the collection contains correspondence, maps, notes, ephemera, and negatives. Noteworthy items from these materials include: a manuscript letter written by Manuel Dominguez; postcards from Bruce Condé (Alfonso de Bourbon Condé) to Ana Bégué de Packman; death notices for Isaac Williams and Henry Mellus; a glass plate negative of Horton House in San Diego; a film negative of Juan Bandini and his daughter Ysidora; and an index book with the names of rancho families written in Packman's hand. Photographs with corresponding film negatives are: (12), (26), and (29).
photCL 400 volume 33