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Small drawing room of the Huntington residence



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  • Small drawing room in the Huntington residence

    Small drawing room in the Huntington residence

    Visual Materials

    View of the small drawing room in the Huntington residence, showing fireplace, chandelier, and display cabinet of miniature paintings. Hanging on the wall above the case is Joseph Mallord William Turner's The Grand Canal: scene - a street in Venice (circa 1837). The large portrait reflected in the mirror is Sir Thomas Gainsborough's Elizabeth (Jenks) Beaufoy, later Elizabeth Pycroft (circa 1780). Also reflected but slightly obstructed is Sir Joshua Reynolds' Lavinia (Bingham), Countess Spencer, and John Charles Spencer, Viscount Althorp, later Earl Spencer (1783-1784). MS note on verso reads "HEH residence as art gallery: small drawing room." Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service."

    photCL 107 fld23 (13)

  • Large drawing room of the Huntington residence

    Large drawing room of the Huntington residence

    Visual Materials

    Thomas Gainsborough's Jonathan Buttall: the blue boy (1770) and Sir Thomas Lawrence's Sarah Goodin Barrett Moulton: "Pinkie" (1794) hanging in the large drawing room of the Huntington residence. The desk in the foreground (bureau plat) is attributed to Andre-Charles Boulle, with substantial later alterations. The date of the original work is between 1700 and 1750. Beneath "Blue Boy" is a chest of drawers (commode) by Daniel De Loose, from around 1770. Beneath "Pinkie" is a chest of drawers by Martin Carlin, from around 1775. The terracotta sculptures in glass cases on either side of the door are by Claude Michel, called Clodion, and his workshop, and date to approximately 1780 to 1790. On the left is Jeune Femme présente son enfant à un autel (A young Woman Presenting Her Child at an Altar). On the right is Jeune Femme tenant un enfant devant elle (Young Woman Holding Her Child in front of Her). Appeared in Los Angeles Times, Annual Midwinter Number, on January 2, 1930. MS note on verso reads "HEH residence as art gallery: large drawing room."

    photCL 107 fld23 (9.1)

  • Small drawing room of the Huntington residence during construction

    Small drawing room of the Huntington residence during construction

    Visual Materials

    View shows the fireplace of the small drawing room. MS note on verso reads "HEH residence interior."

    photCL 107 fld22 (4)

  • Six people in period costume in the small drawing room in the Huntington residence

    Six people in period costume in the small drawing room in the Huntington residence

    Visual Materials

    Thomas Gainsborough's Anne (Luttrell), Duchess of Cumberland (circa 1777). A couple stands next to the fireplace. Two women and one man are seated at a table playing cards, with a man standing nearby. Label accompanying photograph in album reads "HEH 37 Small drawing room, Huntington Art Gallery, with figures. Same as PCP 12."

    photCL 107 vol13 (37)

  • Large drawing room in the Huntington residence during construction

    Large drawing room in the Huntington residence during construction

    Visual Materials

    View of double door with an arched frame decorated with garlands and cherubs. MS note on verso reads "HEH residence interior."

    photCL 107 fld22 (7)

  • Portrait gallery in the Huntington residence

    Portrait gallery in the Huntington residence

    Visual Materials

    The portraits on the walls, from left to right: George Romney's Penelope (Rycroft) Lee Acton (1791); Sir Joshua Reynolds' Sarah (Kemble) Siddons as the Tragic Muse (1783-1784); Reynolds' Georgiana (Spencer) Cavendish, Duchess of Devonshire (1775-1776); John Hoppner's Isabella (Ingram) Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford (circa 1789); Thomas Gainsborough's Henrietta Read, later Henrietta Meares (circa 1777); Gainsborough's The Hon. Anne (Batson) Fane (circa 1782); George Romney's Jeremiah Milles (1780-1783); Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. MS note on verso reads "HEH art gallery: new wing (interior view)."

    photCL 107 fld23 (39)