Monterey, drawn from nature for "The United States Illustrated", Vol. 1

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  Fremont's entrance into Monterey

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  Photo of a drawing of men on horseback.

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  Series 1. Photograph Albums. Vols. 1-6. United States

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  Each album in this series has a table of contents titled "Ralph Arnold Photo Book" and photographs are numbered sequentially through six volumes. The primary subject is California oil exploration during the years Arnold worked for the U.S. Geological Survey. Typed captions are on facing pages, opposite the photographs.

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  Monterey, California

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  A History of the Presidio of Monterey, 1770 to 1970. Monterey, Calif.: Defense Language Institute, 1970.

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  "Guide to Monterey and Vicinity"

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  This disbound photo album holds photographs of Missions Santa Barbara, San Gabriel, and San Juan Capistrano; Pasadena and its landmarks, including the Raymond Hotel and the Hotel Green; the Hotel Del Monte in Monterey; Seal Rock; the Pacific Ocean shore near Monterey; the Hotel Del Coronado in San Diego; Riverside; Cliff House, Fort Point, and the Golden Gate Strait in San Francisco; and Lick Observatory near Mount Hamilton. Of the 33 photographs, 8 were taken by C.W.J. Johnson, 6 were taken by F.H. Maude, 4 were taken by J.E. Slocum, and 2 were taken by C.B. Waite.

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  Monterey: Cypress Point

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  This disbound photo album holds photographs of Missions Santa Barbara, San Gabriel, and San Juan Capistrano; Pasadena and its landmarks, including the Raymond Hotel and the Hotel Green; the Hotel Del Monte in Monterey; Seal Rock; the Pacific Ocean shore near Monterey; the Hotel Del Coronado in San Diego; Riverside; Cliff House, Fort Point, and the Golden Gate Strait in San Francisco; and Lick Observatory near Mount Hamilton. Of the 33 photographs, 8 were taken by C.W.J. Johnson, 6 were taken by F.H. Maude, 4 were taken by J.E. Slocum, and 2 were taken by C.B. Waite.

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  Monterey

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  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

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