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San Juan Dooryard



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  • Snake Dance. Sipaulovi. Second Mesa. Hopi

    Snake Dance. Sipaulovi. Second Mesa. Hopi

    Visual Materials

    Dancers in the pueblo plaza with spectators watching from above. Dogs run loose in the foreground.

    photCL 313

  • San Juan at sunset

    San Juan at sunset

    Visual Materials

    View of a pueblo at twilight.

    photCL 313

  • South Pueblo of Taos. Showing part of ancient wall

    South Pueblo of Taos. Showing part of ancient wall

    Visual Materials

    View of pueblo with hornos in front of dwellings and a wall in the foreground.

    photCL 313

  • Image not available

    San Juan Pottery-maker

    Visual Materials

    This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.

    photCL 313

  • Image not available

    Two Maids of San Juan

    Visual Materials

    This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.

    photCL 313

  • Juan Marabal. Taos

    Juan Marabal. Taos

    Visual Materials

    Studio portrait of a Pueblo Indian man with styled hair and wearing a buckskin top.

    photCL 313