Visual Materials
Lake behind Devil's Gate Dam. 1931
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Devil's Gate Dam. 1926
Visual Materials
An elevated panoramic view of Devil's Gate Dam and the adjacent reservoir. The San Gabriel Mountains are in the background.
photCL 402 (40020)

Devil's Gate Dam, La Canada, Altadena and Pasadena
Visual Materials
A panoramic view of Devil's Gate Dam facing north towards the San Gabriel Mountains. La Canada is north and west of the reservoir that has built up behind the dam, and Altadena and Pasadena are east of the reservoir.
photCL 402 (40065)

Devil's Gate, Arroyo Seco, Pasadena
Visual Materials
View of water running through the Arroyo Seco canyon and water pipes affixed to boulders near Pasadena, California. A wooden dam or watershed is seen on the right. The "devil's profile" giving the name "Devil's Gate" can be seen at right center, above the stream.
photCL_555_06_437

Check dam, Arroyo Seco, Pasadena
Visual Materials
View of a check dam in the Arroyo Seco canyon, near Devil's Gate, showing a stream, water pipes and unidentified man standing on edge at right.
photCL_555_06_438
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Devil's Gate Dam
Manuscripts
1 item: LAT news clip copy, 3/1/1919, "Devil's Gate Dam," explaining the need for the dam and the fact that it was "the first large place of work...to be undertaken by the (County) Flood Control Commission."
mssLAT
Image not available
Lake behind Devil's Gate dam
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402