Fanchon & Marco, Volume 5

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  Fanchon & Marco, Volume 3

  Visual Materials

  103 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed around 1929. There is also one 8 x 10 inch group portrait of individuals including Fanchon Wolff and Marco Wolff, photCL 487 vol 3 (103). Identified photographers include Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 3 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487

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  Fanchon & Marco, Volume 2

  Visual Materials

  100 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1926 to 1928. Identified photographers include Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 2 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487

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  Fanchon & Marco, Volume 4

  Visual Materials

  89 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed around 1930. There is also one photograph of the show "Bughouse," dating from approximately 1933 (page 89). Identified photographers consist of Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 4 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487

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  Fanchon & Marco, Volume 1

  Visual Materials

  114 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas" were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1924 to 1928. Identified photographers include Harry Wenger and Weaver of Los Angeles and H.W. Steward of San Francisco. The photographs were originally housed in a custom binder and comprise volume 1 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487

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  Fanchon & Marco, Volume 9

  Visual Materials

  85 album pages, each containing an 8 x 10-inch photograph depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from around 1931. Photographers chiefly unidentified; a photographs for "Ted Lewis" include the imprint of the White Studio of New York (page 66). The photographs were originally housed in a custom binder and comprise volume 9 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487

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  Fanchon & Marco, Volume 13

  Visual Materials

  222 album pages, each containing an 8 x 10-inch photograph depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1932 to 1936. Some of the photographs include imprints for Archer's Art Shop, Irving Archer, and Irving Archer Studios of Hollywood, California, and a few have White Studio of New York City (see pages 204-205); two of the California Exposition at Balboa Park in San Diego, California, contain the imprint of John Sirgio (pages 22 and 24); and page 220 has the imprint of Peerless Photo of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 13 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.

  photCL 487