Visual Materials
Armistice Day
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Beverly Hills. Armistice Day Parade
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The Eugene Swarzwald Pictorial California and the Pacific Collection consists of 9,674 black and white photographs, negatives, a photograph album, magazine mock-ups, letters, and ephemera, dated 1909-ca. 1968. Eugene Swarzwald and the Swarzwald family collected the material for use in the magazine "Pictorial California and the Pacific." Images depict California and the West with some coverage of the rest of the United States and international destinations. The collection contains photographs depicting general city views of communities in California, scenic views of wilderness areas, images of parks, schools and universities, museums, and points of historic interest (including California mining towns and missions). The collection is strong in subjects related to leisure and social and recreational activities. Many of the photographs are by the Keystone Photo Service. Other photographers include Chuck Abbott, Adelbert Bartlett, Lionel T. Berryhill, Lil and Al Bloom, Hal Boucher, Campbell-Ricco-Mazzuchi Photography, Caroll Photo Service, Garth Chandler, Walter J. Collinge, Fairchild Aerial Surveys, George O. Fales, Frasher's, J. P. Graham, Dean Hesketh Company, Charles M. Hiller, Pat and G. E. Kirkpatrick, Don Knight, Albert J. Kopec, Ward Linton, Lothers and Young, Hubert A. Lowman, David M. Mills, Don Milton, Gabriel Moulin Studios, Karl Obert, Earle O'Day, Pacific Air Industries Aerial Photography, Dave Packwood, Padilla Studios, Maynard L. Parker, Jack W. Patterson, Julius Shulman, Spence Air Photos, H. W. Steward, Thiem, Harry Vroman, Whithurse Aerial Photos, and Steven H. Willard.
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Armistice Day parade, Long Beach. November 11, 1922
Visual Materials
A panoramic view of the 1922 Armistice Day Parade in Long Beach. Men in uniforms and suits are marching in rows on Ocean Avenue, past Lord & Taylor, Hotel Schuyler, and Hotel Kinnebac, after having turned right off of Pine. Marching down Pine on the far right are groups of boy scouts. Both Ocean and Pine are lined with spectators, and vehicles, including a street car, are backed up at the corner. Spectators are also watching from the windows, roofs, and fire escapes of buildings along the parade route.
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