Fiesta de San Esteban, Acoma. Catching the bread

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  Feast of St Stephen, Acoma, N. M. 902

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  Indian men and women gathered in the pueblo during the Feast of San Esteban (Saint Stephen), Acoma Pueblo, New Mexico.

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  Fiesta de San Esteban. Religious dancers before the Kiva. Acoma

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  A view of Acoma dancers in front of a kiva. There are onlookers on the roofs above the kiva and other houses.

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  Acoma, New Mexico

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  View of the cliff walls, trails and pueblo buildings, with several Indians gathered on top of the mesa.

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  The Chief's House, in the Town of Oraibi

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  Hopi Indians gathered in front of an adobe home in the pueblo of Oraibi.

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  Photographs of the American Southwest and Virginia

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  Consists of 11 photographs. Five are snapshots of the Mission Santa Clara church building and items including a Latin liturgical text and chair. One of these is a photograph of a daguerreotype of the Mission prior to 1858. Three photographs, taken by George Wharton James were taken of Indigenous women at the Pueblo of Laguna, New Mexico, a procession for the Feast of St. Stephens at the Acoma Pueblo, New Mexico, and an indigenous man named Moki on his burro returning to his home in Walpi, Arizona. The remaining three photographs, taken in Virginia, are of the Petersburg Harbor, Virginia, a portrait of Richmond College President Frederic William Boatwright, and a candid snapshot of Robert Alonzo Brock, Jr. at Richmond College.

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  Acoma

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  This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.

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