Rare Books
März 1904 : [collection of illustrations depicting details of various rugs]
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Artists (various)
Manuscripts
Study photographs, clippings, etc. for a large number of English artists arranged by surname. Rarely, the images are accompanied by typescript or handwritten notes, as in the cases of Henry Alken (1785-1851), Samuel Howitt (1756/7-1822), and Samuel Scott (1702-1772).
mssBeckett
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Jay T. Last Collection of Fashion Prints and Ephemera
Visual Materials
The Jay T. Last collection of fashion prints and ephemera contains approximately 7,500 items dating from the 1570s to the early 1900s, with the bulk of the items spanning from 1825 to 1900. This collection consists of fashion plates, advertising prints, broadsides, and promotional ephemera produced for clothiers and tailors, dry goods suppliers, garment manufacturers, fashion publications, and textile companies affiliated with the design, production, and/or sale of clothing, accessories, and dry goods. While most of the materials are American, there are also notable quantities of foreign items in the collection, including French fashion plates, fez labels in several languages, and foreign textile labels. Labels affixed to textile samples of various sizes are also included. Materials are broadly divided into two series: small-size items (11 x 14 inches or smaller) and large-size items (typically larger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 250 large-size items comprised mainly of lithographic advertising prints and fashion plates. Small-size items number approximately 7,250 and contain a variety of promotional materials including trade cards, calendars, booklets, product labels, fashion plates, periodicals, clippings, and printed billheads and letterheads with manuscript text. Each series is divided into subseries according to the kind of business, service, or trade sponsoring the advertisement. Types of businesses have been identified according to the principal type of product(s) manufactured or sold by the business. These subseries are arranged as follows: Accessories; Clothiers, Tailors, and Dry Goods; Fashion Plates And Periodicals; Footwear; Garments; Headwear; Sewing Supplies; and Textiles. This collection contains many American and European printed illustrations, commonly known as "fashion plates," that typically depict men, women, or children modeling current clothing and dress styles. Small plates (usually 14 x 10 inches or less in this collection) illustrated the pages of magazines and bound volumes that were marketed specifically for women. Larger plates, primarily intended for display, advertised the products and services of fashion designers, tailors, and pattern makers. The collection provides a resource for studying clothing and dress, sales and merchandise, textiles, and sewing, as well as changing fashion trends in the United States and Europe in the 19th century. The images are primarily promotional in nature and provide information about the history of the American fashion, clothing, dry-goods, and textile industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_FASH
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Collection of photographic postcards and travel ephemera of the Philippines
Visual Materials
A collection of 731 photographic postcards and 81 photomechanical or printed postcards of the Philippines, spanning the years of transition from the end of the Spanish colonial government through decades of American administration. Many were sent through the mail to U.S. destinations, including Berkeley, Seattle, Honolulu, Los Angeles, San Francisco, and Sioux Falls, as well as to recipients in Hong Kong and Portugal. A number of postcards have handwritten inscriptions, stamps, and printed captions, indicating how they were viewed, circulated, and used for tourism and government propaganda. Postcard imagery covers a variety of subjects in the Philippines, including people and communities, with many Indigenous people represented; agriculture; buildings and houses under construction; social and cultural activities; prisons; street and market scenes; weaving and textile production; religious ceremonies; and landscapes. There are several studio portraits, primarily of women and couples, and several color photomechanical postcards of various scenes. The collection also includes some related photographic prints and tourist guides, pamphlets and maps of the Philippines. Please note that this collection contains historical images and language that library users may find harmful, offensive, or inappropriate.
photCL 701
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Exhibits, Mounted illustrations, Photographic reproductions, various subjects
Rare Books
The five series are: Library Records; Personal Papers given to the Library; Francis Bacon Foundation Records; the Walter and Louise Arensberg Papers; and the Art and Artifacts Collection. The Library records include administration and collection records, gifts and acquisitions, exhibit records, and a large portion of correspondence. The correspondence, almost entirely written by library director Elizabeth Wrigley, is with students, other organizations, scholars, and, notably, interested Baconians (supporters of the theory that Francis Bacon was the true author of the plays attributed to Shakespeare). There are also records of gifts to the library, including books, ephemera and papers of Baconians and other scholars studying the Shakespeare authorship question. These papers comprise the Personal Papers series, and are organized by owner name: Isabelle Kittson Brown, Eugene Dernay, George Drury, Johan Franco, R. W. (Reginald Walter) Gibson, Olive Woodward Hoss, Karl [Richards] Wallace, and A. Allen Woodruff. The Francis Bacon Foundation papers contain articles of incorporation, financial and legal documents, and some correspondence of the board members. There are also clippings and photostats on Shakespeare, Bacon and Elizabethan history that were collected for research purposes. This represents only a portion of the Foundation records; the remainder are in the collection of the Philadelphia Museum of Art. The personal and family papers of Walter and Louise Arensberg include Walter Arensberg's cryptographic research files, charts and notes; personal papers; drafts of his poems and books; correspondence with Baconians; photographs; and letters of Arensberg and [Louise] Stevens family members. The letters between Walter and his brother Charles F. C. Arensberg are particularly personal and informative. This portion of the Arensbergs' personal papers does not include their correspondence with artists or their art-collecting activities. Those papers (the Arensberg Archives) were given by the Francis Bacon Foundation to the Philadelphia Museum of Art, which also holds the Arensberg Art Collection of Modern and pre-Columbian art. The last series of the archive is a group of art objects and historical artifacts that belonged to the Foundation and library. Some were collected by the Arensbergs, and some were acquired by the library after their deaths. They are listed with their original descriptions kept by the Foundation. The collection is organized into these series and subseries: Series 1. Library Records1.1 Administrative records1.2 Collection records1.3 Correspondence 1.3.1. General 1.3.2. Colleges, Universities and Schools 1.3.3. Foundations, Societies, etc. 1.3.4. Libraries and Related Institutions 1.3.5. Correspondence with Baconians 1.4 Exhibits 1.5 Financial records. Series 2. Personal Papers 2.1. Isabelle Kittson Brown Papers, circa 1880-19282.2. Eugene Dernay Papers, 1861-1960 2.3 George Drury Papers, 1960-1964 2.4. Johan Franco Publication plates, undated 2.5. R. W. (Reginald Walter) Gibson Papers, circa 1940-1959. 2.6. Olive Woodward Hoss Papers, circa 1920-1969. 2.7. Karl [Richards] Wallace Papers, circa 1960-1973. 2.8. A. Allen Woodruff Papers, circa 1893-1949. Series 3. Francis Bacon Foundation Records. Series 4. Walter and Louise Arensberg Papers 4.1. Correspondence. 4.1.1. General. 4.1.2. Correspondence with Baconians. 4.1.3. Arensberg Family correspondence. 4.1.4. Stevens Family correspondence. 4.2. Personal 4.3. Writings 4.4. Financial 4.5. Legal. 4.6. Research 4.7. Photographs. Series 5. Art and Artifacts Collection. Arrangement: The arrangement and titles of the files have been kept as much as possible in the original order of the records maintained by the Arensbergs and the library staff. Folders are arranged alphabetically by title within series. Documents within folders are arranged in chronological order by date with undated materials residing at the end of each folder. One exception is research files, which have been kept in their original order, which was not always chronological, but often by topic.
602120
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C.C. Pierce Collection of Photographs
Visual Materials
The C.C. Pierce collection contains 10,100 historical photographs of early California and Los Angeles that were assembled by Charles C. Pierce, a photographer and long-time operator of a thriving Los Angeles photographic business. The collection is divided into nine topical headings assigned by Pierce: Los Angeles Historical; Indians; Missions; California cities, counties, etc.; Industries and Agriculture, Transportation; Natural History; Art and Architecture; Miscellaneous Scenery. Within these large sections are smaller categories that focus on the history, landscape, people, civic and cultural events, built environment, and development of Southern California and the Southwest from approximately 1845-1930. Of particular interest are the various Indian tribes depicted as well as all twenty-one of the California Missions. Pierce described the latter as "a very extensive and superior collection of this subject, covering a period of over sixty years" that includes copies of paintings and etchings made by Edward Vischer from 1842-1876 and Henry Chapman Ford (1883). Pierce's practice of copying other photographer's images and supplying his own identification should alert the researcher to treat the descriptive and date information on the photographs with some skepticism. There are two numbers on the back of each photograph: the regular penciled number is the negative number assigned by Pierce; the red penciled number is that assigned by the Huntington. Researchers should refer to the red number at all times when ordering reproductions.
photCL Pierce
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Photographs: Roxana Millard (1904-1975). 5 items
Manuscripts
The collection contains 208 semi-cataloged items housed in two boxes (with one oversize volume). The majority of the collection deals with Alice Parsons Millard's estate and assets at the time of her death. There are documents and five volumes of inventories of the house and "museum," as well as 52 inventory note cards. These inventories list items (including furniture, books, etc.) owned by the Millards and often include the price they paid for it and/or the price for which they sold it. There is also a twelve-page, typed memoir of Alice Parsons Millard by Lucille V. Miller (1984). The correspondence includes 31 pieces, sixteen of which were written by Alice Parsons Millard. Many of the letters and postcards were written while Alice was abroad. One of her letters is to her client, collector Estelle Doheny. A number of her letters were to the Vanderhoef family, particularly Francis Bailey Vanderhoef, Jr. and his mother, Cornelia Young Vanderhoef. Ten letters by Alice Parsons Millard's secretary, Gertrude E. Treat, revolve around Alice's failing health, death, and the distribution of her estate. The photographs consist of 57 black and white photographs (and two negatives) of the following: the Millard's Highland Park house, the exterior and interior of "La Miniatura," the house's exhibits, the South Pasadena House, and three gates Alice contemplated purchasing while in London. There are also several personal photographs of Alice Parsons Millard, George Millard and various family members. There are five pieces of ephemera including Alice Parsons Millard's passport (1926) and copies of three of her obituaries (1938).
mssMillard papers