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Will with a whisp to Robbin Good-fellow·
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Good Fellows
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
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Screens at Robbins
Visual Materials
Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.
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The good-looking fellow; or, The roman nose : a farce, in one act
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Dev 12mo 80
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Clarissa Robbins fee
Manuscripts
The Ely Collection consists of the papers of United States Federal Ninth Circuit Court of Appeals Justice Walter R. Ely, Jr., past President of the Los Angeles County Bar Association and prominent Los Angeles attorney. Roughly one-third of the collection consists of over 2000 U.S. Circuit Court case files for the period 1971-1984, including private internal memoranda between Ely and such prominent fellow justices as Anthony Kennedy (now on the Supreme Court) and Shirley Hufstedler. Included are many cases with both local significance and larger regional or national impact, with a random check finding topics such as offshore drilling, censorship ("The Beard"), race relations and education (Los Angeles NAACP vs. California Department of Education), immigration (numerous INS cases), labor relations (Teamsters; NLRB cases), feminism (NOW), and financial fraud (Equity Funding; Bernard Cornfeld), with private comments by the justices not only on the cases but also on Supreme Court behavior, personnel, etc. In addition, there is material on the Committee on Standards of Judicial Administration, the Criminal Justice Act of 1964, and the Bankruptcy Appeals Panel in the early 1980s. Before being appointed to the bench, Walter Ely was a prominent and politically active lawyer in Los Angeles. There is extensive documentation of his involvement with the Los Angeles County Bar Association, of which he was president in 1962, the California Conference of State Bar Delegates, and the House of Delegates of the American Bar Association, not to mention his own personal practice. He was also an active Democrat, and there is material on California politics for 1956-1964, especially the election campaigns of Governor Edmund G. (Pat) Brown, Attorney General Stanley Mosk, Richard Richards, and others in 1962.
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